The Hi de Ho blog

Leroy MAXEY: The drummer without solo (part 3)

Is there a curse for the Cab Calloway’s musicians from the rhythm section? Like Cab’s first pianist, Earres Prince with Benny Payne, like guitar player Morris White with Danny Barker, like Al Morgan with bass player Milt Hinton, drummer Leroy Maxey remains in the shadow of his successor Cozy Cole. And yet, Leroy ‘Cash’ Maxey had long been the drummer of the Missourians when Cab took over as leader of the band. Jazz historians have since recognized him as a classic drummer, notable for his use of the bass drum pedal and his four-to-the-floor technique. The Hi de Ho Blog will tell you what we know about the man who was a small star in his time, a great seducer (almost a bigamist) who was fired overnight by Cab because he couldn’t play an up-to-date solo... + Vintage drummers specialist Nicholas D. Ball offers deep research on Maxey’s playing and drum kit. A must-read! Read the full story →

Leroy MAXEY: The drummer without solo (part 1)

Is there a curse for the Cab Calloway’s musicians from the rhythm section? Like Cab’s first pianist, Earres Prince with Benny Payne, like guitar player Morris White with Danny Barker, like Al Morgan with bass player Milt Hinton, drummer Leroy Maxey remains in the shadow of his successor Cozy Cole. And yet, Leroy ‘Cash’ Maxey had long been the drummer of the Missourians when Cab took over as leader of the band. Jazz historians have since recognized him as a classic drummer, notable for his use of the bass drum pedal and his four-to-the-floor technique. The Hi de Ho Blog will tell you what we know about the man who was a small star in his time, a great seducer (almost a bigamist) who was fired overnight by Cab because he couldn’t play an up-to-date solo... + Vintage drummers specialist Nicholas D. Ball offers deep research on Maxey’s playing and drum kit. A must-read! Read the full story →

THE MAN FROM HARLEM MEETS THE CINCINNATI KID

In 1965 Cab Calloway appeared in a superb dramatic supporting role in the Steve McQueen film The Cincinnati Kid. Based on a best-selling novel, the movie was a wonderful opportunity for Cab to show his assets in poker, since he was himself a definite player. And it was also the perfect time to fullfill a quite empty schedule on stage... For The Hi De Ho Blog, Keller Whalen retraces the history of the shooting, the casting, the release, and has unearthed anecdotes, documents and rare pictures about this unique gambling film. Read the full story →

“Hi De Ho” (1937): the Cab Calloway Vitaphone movie with genuine actors… and real music! 2/2

“Hi De Ho” is a Vitaphone movie released on February 20, 1937 by Warner Bros in the Melody Masters Series, that wonderfully demonstrates the musical qualities and stage persona of Cab Calloway and his musicians. But there’s more to know about this 11-mn and 1 reel movie, rarely seen, and often ignored by jazz historians and film or theater scholars: his uncredited cast shows besides Cab three distinguished and established actors nobody noticed. Until now! (PART 2/2) Read the full story →

“Hi De Ho” (1937): the Cab Calloway Vitaphone movie with genuine actors… and real music! 1/2

“Hi De Ho” is a Vitaphone movie released on February 20, 1937 by Warner Bros in the Melody Masters Series, that wonderfully demonstrates the musical qualities and stage persona of Cab Calloway and his musicians. But there’s more to know about this 11-mn and 1 reel movie, rarely seen, and often ignored by jazz historians and film or theater scholars: his uncredited cast shows besides Cab three distinguished and established actors nobody noticed. Until now! (PART 1/2) Read the full story →

Cab Calloway on Television: 2 - The Forties

“Recognized as a ‘natural’ for television, Cab has made several test performances before the television cameras” states The Macon News dated February 2, 1947. But Cab Calloway’s first known TV appearance is only dated a few weeks before, on January 17, 1947 between 11:30 pm and 1 am. Cab indeed performs on the debuting TV Show “Cavalcade of Bands” for the March of Dimes Telethon, along with bandleaders Jimmy Dorsey and Guy Lombardo. The show, probably shot in Chicago, was telecast on the CBS Network. From then on, Cab will appear frequently on many TV shows and will participate in numerous telethons on TV until the late 1980’s. I haven’t found yet any other appearance for 1947. Remember that at the end of 1947, his feature movie “Hi De Ho” is released in movie theaters. But, starting 1948, Cab will progressively share his time among stage, radio, and TV studios. And that’s the right time for Cab: in April 1948, he disbanded his orchestra, only keeping a small combo with him. The forthcoming years will be hard for Cab, Duke, Count, Woody, Benny and many more! Cab quickly understands the power of television and struggles to get a spot on the small screen that is starting to get a room in many homes in the USA. He almost got his own show but the black and white screens still had issues having an African American artist as the main feature on a regular TV show. Read the full story →

Cab Calloway on Television: 1 - The Thirties

Before merchandized television sets were sold to the American customer, a couple of movies using the primitive and experimental television as a futuristic subject of fantasy welcomed Cab Calloway in a couple of scenes. And that started as early as 1933! In this first episode in our series "Cab Calloway on Television" by decades, we'll see that even when the television invention is at its dawn, Cab Calloway already has many assets to become one of the new big stars of the small screen... Read the full story →

Mabel GARRETT, The Story of a Cotton Club Girl (2/2)

PART 2: After the closing of the Cotton Club. The end of a journey with one of those performers who made it on Broadway, on Harlem stages and now has to struggle when hard times come with age… Read the full story →

Mabel GARRETT, The Story of a Cotton Club Girl (1/2)

Appearing just a few seconds dancing with Cab Calloway in the movie Manhattan Merry-Go-Round (1937), this graceful, tall and jumping dancer remained unidentified until we asked jazz dance historian Harri HEINILÄ from Helsinki to help us. Then, with the name in mind, after several weeks of research, we are now able to tell you the story of Mabel GARRETT whose dancing feet crossed those of Cab Calloway many times as well as the path of many other artists of the Harlem scene. A journey with one of those performers who made it on Broadway, on Harlem stages and then had to struggle when hard times come with age… Read the full story →

Cab Calloway in the movie “Manhattan Merry-Go-Round”, 1937

Among the cameos Cab Calloway did in several movies, this one for Manhattan Merry-Go-Round remains quite obscure and barely appears in people’s minds when talking about jazz on screen. Yet, this short sequence within a mediocre “filmusical” produced by the low budget Republic Studio is in fact interesting for jazz and dance fans: the song, the music with a great tenor sax solo by Chu Berry in his only known filmed appearance and the Lindy Hoppers gyrations plus the peculiar advertising for the movie make it worth some attention. The Hi De Ho Blog tells you everything we know about it! Read the full story →

A tune I dig