Here is one of the little-known aspects of Cab Calloway. Indeed, while he is a recognized singer, few of you know that he began his career as a singing drummer. But he also played the saxophone, at least until Chu… Read the full story →
Category: On the Bandstand
In this second article devoted to Benny Payne, Cab Calloway’s pianist from 1931 to 1943 and for a short period in 1946, we’ll see how he spent his time in uniform, how he handled his return from the Army, and… Read the full story →
Even though many musicians have complained about the routine of playing with Cab and about his inability to let his soloists express themselves enough, but many chairs remained occupied by the same people for years. First and foremost among them… Read the full story →
Ralph BROWN (1914-1990) est l'un de ces nombreux danseurs de claquettes qui faisaient partie du spectacle du Cotton Club lorsque Cab menait la revue. Son nom n’est connu que des amateurs éclairés du tap dance, mais ses performances méritent que… Read the full story →
Troisième et dernière partie de notre lecture des mémoires de Doc Cheatham, cette note nous permet de voir la tournée européenne du Cotton Club en 1934 avec un regard bien différent de celui de Cab (et sans doute plus juste).… Read the full story →
Après une première note consacrée aux premiers pas de Doc Cheatham dans le monde du jazz, voici la partie dédiée à son parcours avec l’orchestre de Cab Calloway entre 1931 et 1939 et à la suite de sa carrière, des… Read the full story →
Voici un livre touchant et sincère, à l’image de son auteur, Doc Cheatham (1906-1997), lead trompette dans l’orchestre de Cab de 1931 à 1939. Une fois encore, nous devons à Alyn SHIPTON d’avoir aidé Doc à mettre en ordre… Read the full story →
Journalists often use shortcuts to refer to personalities in the news. Since Cab was in the spotlight for many years, he did not escape the nicknames given by the press, by his admirers, by publicists, or directly by his agent,… Read the full story →
Cab Calloway made his debut as bandleader in 1929 with The Alabamians. Then, with The Missourians in 1930. His musicians were all solid players in their field. And their loyalty was in large part due to the salary and the… Read the full story →